Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
Founded in SoHo in 1989, Paul Kasmin Gallery cultivates a program in which the historic figures of Post-War and American Modernism are in meaningful dialogue with the evolving practice of both emerging and established contemporary artists. >> Read more
David Zwirner is pleased to present an exhibition of new and recent work by Wolfgang Tillmans across the gallery’s three locations on West 19th Street in New York. >> Read more
Mural Studies brings together eight of Lee Krasner’s rarely exhibited small-scale, gouache-on-paper studies for an unrealized Works Progress Administration mural painting. Created in 1940 (the same year Krasner produced, in her own words, her “first abstract work”) the gouaches investigate varying configurations of geometric and biomorphic forms alongside linear elements reminiscent of Jean Arp and Joan Miró. >> Read more
Paul Kasmin Gallery is pleased to announce Lines Thicken: Stuart Davis in Black and White, an exhibition of black and white paintings and works on paper by Stuart Davis (1892 - 1964). >> Read more
I was keen to head straight to Jordan Wolfson's chained Pinocchio with luminous eyes gazing back in a projected fantasy of defiance and psychopathy. >> Read more